DirecTV customers will be able to bundle their video and high-speed Internet services, no matter where they live in the United States, through new agreements with satellite broadband providers ViaSat and Hughes.
DirecTV will offer Excede by ViaSat and Hughes' HughesNet Gen4 next-generation satellite broadband services, with speeds of over 10 Mbps to customers living in mostly unserved and rural areas later this year. This new offering, coupled with already available triple-play bundles with Verizon, AT&T, Century Link and other telco providers, means that any DirecTV customer in the U.S. will now be able to get bundled pricing.
Customers who sign up for satellite broadband through DirecTV will be able to take advantage of certain special offers beginning later this year. More details on the offers and marketing plans will be made available closer to launch.
"We look forward to offering every single DirecTV customer access to fast, affordable broadband options through DirecTV, no matter where they live," said Oswin Eleonora, senior vice president, Emerging Markets, DirecTV. "With greatly improved capacity and speeds, satellite broadband services provided by ViaSat and Hughes will fully support our customers' connected home experience, enabling them to access a host of features like YouTube, Pandora, social TV apps, and more than 7,000 VOD titles."
Viacom: Social TV Must Offer Content, Communication, Comments
Viacom has unveiled the results of a new study exploring the social TV phenomenon through the lens of the viewer. While fairly nascent, social TV and co-viewing trends represent a shift in TV viewing from what Viacom calls a “lean-back” to a “lean-forward” experience. If there is a takeaway for advertisers, it is that those “behind the scenes” streams, additional scenes and blooper reels that networks run on their websites are pretty valuable ad real estate.
Viacom finds that viewers engage in an average of seven different types of social TV activities – online or offline – on at least a weekly basis. The most common activities include watching TV with others (85%), searching for supplemental content (61%) and viewing TV show clips on social networks (58%). The new research reveals that consumers engaging in social TV activities "C's the moment" primarily by communicating, consuming content and checking comments.
The two-phase study involved 24 ethnographies in Boston and San Diego with VMN viewers aged 13-52 that engage in social TV activities on at least a weekly basis. National online surveys were conducted with over 1,500 VMN viewers aged 13-54. When asked what social TV means to them, the most commonly reported words were "interactive," "friends" and "Facebook "or "Twitter." The leading source of discovery of social TV services is through search (38%), followed by social networks (26%) and ads run on shows (22%).
"One of the main goals of this research was to understand how to inspire social TV activity among our audiences," said Colleen Fahey Rush, Executive Vice President and Chief Research Officer, Viacom Media Networks.
Content
Content is king for social TV users. Viewers want something special from their social TV services rather than commoditized content that can be found through online searches. The number one request for content is full-length episodes (88%), followed by sneak peeks of new episodes (75%), and behind-the-scenes extras (71%) and highlight clips (71%).
The majority of TV socializers are interested in rewards with real value, like free merchandise or signed cast photos. When putting aside the material aspect, virtual rewards offer an emotional pay-off, described as being similar to the feeling when 'liked' on Facebook. Trivia and casual games related to a show are of greater interest if they offer some kind of reward. Real fans want to have their knowledge and skills tested, and expect the game to be challenging.
Communication
Communicating is a top priority for social TV users. Many respondents described cobbling together unique communication systems to interact with different social circles while watching a show. "When I'm watching Jersey Shore, I have Facebook chats with 10 friends and I'm texting a dozen people, and I can be on the phone to my best friend," said one participant.
There is no one-size-fits-all in terms of chat options. Of those interested in chat features, 56% prefer communicating through the social TV app/service, 53% through Facebook, 50% through individual or group texts and 38% through Skype or Apple FaceTime. For those that use check-in services, 71% check in to a show to let their friends know and 64% check in to let other fans of the show know. Check-in services are a unique way of communicating viewing activities while simultaneously encouraging others to tune-in and join a shared experience.
Smartphones dominate the use of social TV apps at 82%, trailed by tablets at 18%. For services that are delivered via HTML websites and associated apps, 52% of usage occurs on smartphones or tablets, followed closely by desktop or laptops at 48%.
Comments
Social TV users check comments about their favorite shows for a variety of reasons. Comments provide a different point of view, can pick up on something a viewer may have missed on their own and most importantly, create a direct connection between fan and show. "I love reading Daniel Tosh's tweets while watching Tosh.0. It gives the show a whole other dimension," said one survey respondent.
Not all sources of comments are equally valued. The number one source viewers want to hear from is a show's cast and crew, followed by the people they know. Audiences are sensitive to the quality of comments from a show's cast and crew – they look for authenticity and prefer the star(s) to be in character.
Social TV Users "C's the Moment" During Live Viewing
"Viewers C's the Moment" reveals that live TV show viewing unlocks the real value of social TV services and co-viewing activities. Features relating to communication, content and comments are twice as likely to be used during live than time-shifted viewing. Social TV enthusiasts reported feeling "left out" of the conversation if they missed a live airing.
One respondent said, "I'm most likely to engage with Social TV networking when it's live. So when a new show comes on, I'm very likely to check-in just before the show, see comments from other people, [and] make my own comments during the show as well."
Social TV activities also increase directly after a live show, when viewers can access exclusive content like sneak peeks without interrupting the live viewing experience. "I go to the website and watch the director's cut…after it airs as I like the extra scenes. I like to feel that I am getting something extra and it extends the show," said a participant.
Social TV can also help foster show discovery. Features like check-ins, viewer comments and shared video clips help viewers discover shows, incentivize them to watch and encourage them to join the live conversations.
ESPN Upfront: Heavy on Digital, Authentication, New Films, Advertiser Value
ESPN presented its annual upfront yesterday, with a heavy emphasis on authentication, apps and delivering advertiser value. While the networks struggle to create social TV experience, CNN will likely be the first to make it a norm.
At the same time, ESPN Films announced that it will resurrect its 2010 hit series of sports-oriented films 30 for 30.
As Ad Age reports, Eric Johnson, ESPN's exec VP-multimedia sales, promised advertisers more targeted reach through its digital properties including the espnW platform for female sports fans; a new ESPN radio app for both the iPhone and iPad; ESPNFC, a global soccer destination; and a partnership with Twitter that will start with the NBA Finals.
Johnson claimed as well that with the Watch ESPN authenticated TV Everywhere app (introduced last year), ESPN now reaches 40 million homes, a number it expects to double before 2013.
Of course, few networks have the budget of ESPN, and "Modern Family" fans are hardly as rabid as NBA fans. But ESPN sets the bar for cross-media convergence.
30 for 30 Vol. II
ESPN Films has announced the return of the Emmy-nominated and Peabody Award-winning 30 for 30 film series. As with the first series, which included collaborations with acclaimed filmmakers such as Peter Berg (“Kings Ransom”), Barry Levinson (“The Band That Wouldn’t Die”), Ice Cube (“Straight Outta L.A.”) and Academy Award-winner Barbara Koppel (“The House of Steinbrenner”), ESPN Films will once again partner with a wide array of filmmakers to tell inspirational sports stories. 30 for 30 Vol. II is scheduled to premiere in October.
“30 for 30 was conceived as a finite collection and when the original series ended in December of 2010 with ‘Pony Excess,’ we had underestimated the strength of the connection fans had made between sports documentaries and the 30 for 30 brand,” said Connor Schell, vice president of ESPN Films. “We’re proud to have created a brand that has become synonymous with quality sports storytelling and we see value in bringing back a second collection of 30 films.”
In addition to a second slate of 30 feature-length documentaries, ESPN Films will broaden its scope to support a whole new crop of stories with the creation of 30 for 30 Shorts – a 30-part digital short film series. 30 for 30 Shorts will be similar to the feature-length films in that each piece will represent a specific point of view of the filmmaker and will be a reflection of how they blend the narrative with their own visual style. Beginning in September, a new short film will debut monthly on Bill Simmons’ Grantland.com. A 30 for 30 Short entitled “Here Now” about Pete Rose is currently online as preview of the series.
Volume II of 30 for 30 will have a much more defined multimedia component through closer integration with Grantland.com by featuring filmmaker podcasts with Bill Simmons, topical oral histories, in-depth features and more. Each feature-length film and digital short will be complemented with a long-form written piece on Grantland.com that deepens the experience with additional context.
Films scheduled to air as part of 30 for 30 Vol. II include:
- “Benji” about 17-year-old NBA prospect Ben Wilson whose life was tragically cut short;
- “Broke,” a documentary about pro athletes sucked into bad investments, stalked by freeloaders, saddled with medical problems;
- “Bo Knows,” another documentary about the marketing of pro athletes like legendary sports figure Bo Jackson;
- “The Season of Their Lives,” about the 1982-83 North Carolina State Wolfpack basketball team.
Social TV Via Twitter
ESPN announced a strategic collaboration with Twitter that it believes offers fans and advertisers unique, interactive programs around major sporting events, beginning with the upcoming NBA Finals. The effort will be promoted across Twitter, ESPN networks, ABC and ESPN’s broad array of digital assets, including ESPN.com and ESPN Mobile.
Each program will be co-created by ESPN and Twitter, beginning with GameFace – the first effort, which will be focused on the NBA Finals. GameFace will be seamlessly integrated throughout the live ABC broadcasts and ESPN’s NBA Tonight programming with a dedicated Twitter hashtag #GameFace.
Fans will be encouraged to tweet photographs of their “game face” throughout the finals. At the conclusion of each game, NBA Tonight analysts will highlight the competition and reveal the best photographs on-air. The best photos will also be featured in a photo gallery on ESPN.com/NBA.
“Working together, ESPN and Twitter are giving marketers a clear and powerful way to link on-air and online social conversations around sports,” said Joel Lunenfeld, Twitter’s Vice President of Global Brand Strategy. “It’s the first time advertisers can engage the audience around ESPN’s premier content across screens and where the conversation is happening on Twitter.”
Added Ed Erhardt, president, ESPN Global Customer Marketing and Sales, “Advertisers and marketers have been asking for meaningful opportunities that tap into the power of social media. We know fans use ESPN and Twitter as their main source for content and connectivity. By taking that scale and combining it with the passion of sports fans, this program answers the value equation of social media while providing a new way for fans to engage with ESPN.”
On Twitter, #GameFace will be supported through Twitter’s Promoted Products suite (including a Promoted Trend during the Finals), and the experience will be plugged on the @NBAonESPN Twitter handle.
ESPN Radio
The latest version of the ESPN Radio app for iPhone, iPad and iTouch provides both live and on demand content, and includes a new feature that allows fans to build their own sports stations. Versions for Android and Windows 7 smartphones are slated to launch later this summer.
“This latest version of the ESPN Radio App builds on our promise to deliver the best sports audio content across any device,” said Marc Horine, Vice President, ESPN Digital and Print Media. “With this update, fans now have complete control over their listening experience as the app provides the functionality to customize specifically by sports, teams and athletes they care most about.”
Beginning today (May 16), fans can download the premium version of the app at no cost for a limited time. After that, for a one-time fee of $4.99, fans can access the full experience of the app, complete with the new personalization features and enhancements. The premium app will continue to give millions of ESPN Radio listeners access to live radio streams from more than 35 ESPN Radio stations, fan favorite shows like “Mike & Mike in the Morning,” “The Herd” with Colin Cowherd, “Waddle & Silvy” (Chicago) and “The Michael Kay Show” (New York), plus select play-by-play broadcasts, live scores and text messaging.
ESPN Radio launched its first app in September 2009 and has since been one of the top paid sports apps in the marketplace. Additionally, it was named Best Radio App by Radio Ink Magazine at the Digital Convergence Awards in May 2011. The ESPN Radio App is available from the App Store on iPhone, iPad and iPod touch or at www.itunes.com/appstore.
ABC Upfront: Heavy on Comedy and Schedule Shakeups
ABC is “building on its momentum from the 2011-2012” season which included the No. 1 comedy (“Modern Family”), No. 1 drama (“Grey’s Anatomy”) and No. 1 freshman drama (“Once Upon A Time”) this season in the key Adult 18-49 demographic. But it also included the flagging “Dancing with the Stars” and the wishy-washy “Happy Endings” and “Don't Trust the B---- in Apartment 23.” So the Falls schedule shows some tinkering.
Like NBC and Fox, ABC is going “long on comedy”, reports Broadcasting & Cable, with four new comedies over three nights, and a dedicated family comedy block on Fridays. “The Neighbors,” about a family that moves to New Jersey to find that its neighbors are space aliens, will air after the flagship “Modern Family” at 9:30 P.M. in the fall. So “Happy Endings” and “Don't Trust the B---- in Apartment 23,” which took turns in that slot, will be back-to-back on Tuesday at 9 P.M. opposite Fox's “New Girl” and the much-anticipated “The Mindy Project.”
On Fridays beginning November, the network will offer a one-hour family comedy block, with “Last Man Standing” and “Malibu Country,” with Reba McIntyre.
The network will try to goose its flagging reality franchise “Dancing With the Stars,” describes the New York Times, by trying an “all-star version,” with “fan favorites” from earlier seasons in midseason.
A solid mix of promising new series and returning hits is what drove ABC to strong results in the 2011-12 Season. Season to date among Adults 18-49, ABC claims TV’s No. 1 comedy/scripted series (“Modern Family”), the No. 1 drama (“Grey’s Anatomy”) and the No. 1 freshman drama (“Once Upon A Time”). Led by Emmy-winning “Modern Family,” ABC’s 2-hour Wednesday night comedy block continues to connect with audiences, posting its 2nd straight year of growth with viewers (+3%) and young adults (+6%). In addition, ABC is the only network up during the 10 o’clock hour on Monday-Friday as lead-in to affiliates’ late-local newscasts with Total Viewers (+8%) and Adults 25-54 (+7%).
Fall premiere dates will be announced at a later time.
ABC’s fall primetime schedule is as follows (all times listed are Eastern); new shows are in capitals:
MONDAY:
8:00 P.M. “Dancing with the Stars”
10:00 P.M. “Castle”
In January:
8:00 P.M. “The Bachelor”
10:00 P.M. “Castle”
TUESDAY:
8:00 P.M. “Dancing with the Stars the Results Show”
9:00 P.M. “Happy Endings”
9:30 P.M. “Don’t Trust The B—- in Apartment 23”
10:00 P.M. “Private Practice”
In January:
8:00 P.M. “HOW TO LIVE WITH YOUR PARENTS (FOR THE REST OF YOUR LIFE)”
8:30 P.M. “THE FAMILY TOOLS”
WEDNESDAY:
8:00 P.M. “The Middle”
8:30 P.M. “Suburgatory”
9:00 P.M. “Modern Family”
9:30 P.M. “THE NEIGHBORS”
10:00 P.M. “NASHVILLE”
THURSDAY:
8:00 P.M. “LAST RESORT”
9:00 P.M. “Grey’s Anatomy”
10:00 P.M. “Scandal”
FRIDAY:
8:00 P.M. “Shark Tank”
9:00 P.M. “Primetime: What Would You Do?”
10:00 P.M. “20/20”
In November:
8:00 P.M. “Last Man Standing”
8:30 P.M. “MALIBU COUNTRY”
9:00 P.M. “Shark Tank”
10:00 P.M. “Primetime: What Would You Do?”
SATURDAY:
8:00 P.M. “Saturday Night College Football”
SUNDAY:
7:00 P.M. “America’s Funniest Home Videos”
8:00 P.M. “Once Upon A Time”
9:00 P.M. “Revenge”
10:00 P.M. “666 PARK AVENUE”
NEW FALL AND MIDSEASON SERIES
DRAMA
“666 PARK AVENUE.” At the ominous address of 666 Park Avenue, anything you desire can be yours. Everyone has needs, desires and ambition. For the residents of The Drake, these will all be met, courtesy of the building’s mysterious owner, Gavin Doran (Terry O’Quinn). But every Faustian contract comes with a price. When Jane Van Veen (Rachael Taylor) and Henry Martin (Dave Annable), an idealistic young couple from the Midwest, are offered the opportunity to manage the historic building, they not only fall prey to the machinations of Doran and his mysterious wife, Olivia (Vanessa Williams), but unwittingly begin to experience the shadowy, supernatural forces within the building that imprison and endanger the lives of the residents inside. Sexy, seductive and inviting, The Drake maintains a dark hold over all of its residents, tempting them through their ambitions and desires, in this chilling new drama that’s home to an epic struggle of good versus evil.
“666 Park Avenue” stars Rachael Taylor (“Charlie’s Angels,” “Grey’s Anatomy,” Transformers) as Jane Van Veen, Dave Annable (“Brothers & Sisters,” “Reunion”) as Henry Martin, Robert Buckley (“One Tree Hill,” “Lipstick Jungle”) as Brian Leonard, Mercedes Masöhn (“The Finder,” “Chuck,” “Three Rivers”) as Louise Leonard, Helena Mattsson (“Iron Man 2,” “Nikita,” “Desperate Housewives”) as Alexis Blume, Samantha Logan as Nona Clark, with Vanessa Williams (“Desperate Housewives,” “Ugly Betty,” “Shaft,” “Soul Food”) as Olivia Doran and Terry O’Quinn (“Lost,” “Millennium,” “Hawaii Five-0,” “Alias,” “The West Wing,” “Jag”) as Gavin Doran.
“LAST RESORT.” 500 feet beneath the ocean’s surface, the U.S. ballistic missile submarine Colorado receive their orders. Over a radio channel, designed only to be used if their Homeland has been wiped out, they’re told to fire nuclear weapons at Pakistan.
Captain Marcus Chaplin (Andre Braugher) demands confirmation of the orders only to be unceremoniously relieved of duty by the White House. XO Sam Kendal (Scott Speedman) finds himself suddenly in charge of the submarine and facing the same difficult decision. When he also refuses to fire without confirmation of the orders, the Colorado is targeted, fired upon, and hit. The submarine and its crew find themselves crippled on the ocean floor, declared rogue enemies of their own country. Now, with nowhere left to turn, Chaplin and Kendal take the sub on the run and bring the men and women of the Colorado to an exotic island. Here they will find refuge, romance and a chance at a new life, even as they try to clear their names and get home.
“Last Resort” stars Andre Braugher (“Men of a Certain Age”) as Captain Marcus Chaplin, Scott Speedman (“The Vow”) as XO Sam Kendal, Daisy Betts (“Sea Patrol”) as Lieutenant Grace Shepard, Dichen Lachman (“Being Human”) as Tani Tumrenjack, Daniel Lissing (“Crownies”) as SEAL Officer James King, Sahr Ngaujah (“House of Payne”) as Mayor Julian Serrat, Camille de Pazzis as Sophie Gerard, Autumn Reeser (“Hawaii Five-O,” “No Ordinary Family”) as Kylie Sinclair, Jessy Schram (“Falling Skies,” “Once Upon A Time”) as Christine Kendal.
“MISTRESSES.” Welcome to a provocative and thrilling drama about the scandalous lives of a sexy and sassy group of four girlfriends, each on her own path to self-discovery, as they brave the turbulent journey together.
Meet Savi (Alyssa Milano), a successful career woman working toward the next phase in her life — both professional and personal — simultaneously bucking for partner at her law firm while she and her husband, Harry (Brett Tucker), try to start a family of their own. Savi’s free-spirited and capricious baby sister, Josselyn (Jes Macallan), couldn’t be more different – living single, serial dating and partying, and regularly leaning on her big sister along the way. Their common best friend, April (Rochelle Aytes), a recent widow and mother of two, is rebuilding her life after tragedy and learning to move forward, with the support and guidance of her closest girlfriends. And friend Karen (Yunjin Kim), a successful therapist with her own practice, reconnects with the girls after her involvement in a complicated relationship with a patient goes far too deep.
“Mistresses” is a salacious new drama about a group of friends caught in storms of excitement and self-discovery, secrecy and betrayal, and bound by the complex relationships they’ve created.
“Mistresses” stars Alyssa Milano (“New Years Eve,” “Romantically Challenged,” “Hall Pass,” “My Name Is Earl,” “Charmed,” “Melrose Place”) as Savannah, Yunjin Kim (“Lost”) as Karen, Rochelle Aytes (“Work It,” “White Collar,” “Detroit 1-8-7,” “Desperate Housewives”) as April, Jes Macallan (“Kiss Me,” “NCIS: Los Angeles,” “Crash and Burn,” “Grey’s Anatomy,” “Shameless”) as Josslyn, Jason George (“Grey’s Anatomy,” “The Closer,” “Against the Wall,” “Castle,” “Off The Map,” “Eastwick”) as Dominic, Brett Tucker (“Castle,” “Spartacus: Vengeance,” “Rizzoli & Isles,” “NCIS,” “Neighbours”) as Harry, Erik Stocklin (“Grey Sheep,” “Sick Day,” “Let’s Big Happy”) as Sam.
“NASHVILLE.” Chart-topping Rayna James (Connie Britton) is a country legend who’s had a career any singer would envy, though lately her popularity is starting to wane. Fans still line up to get her autograph, but she’s not packing the arenas like she used to. Rayna’s record label thinks a concert tour, opening for up-and-comer Juliette Barnes (Hayden Panettiere), the young and sexy future of country music, is just what Rayna needs. But scheming Juliette can’t wait to steal Rayna’s spotlight. Sharing a stage with that disrespectful, untalented, little vixen is the last thing Rayna wants to do, which sets up a power struggle for popularity. Could the undiscovered songwriting talent of Scarlett O’Connor (Clare Bowen) be the key to helping Rayna resurrect her career?
Complicating matters, Rayna’s wealthy but estranged father, Lamar Hampton (Powers Boothe), is a powerful force in business, Tennessee politics, and the lives of his two grown daughters. His drive for power results in a scheme to back Rayna’s handsome husband, Teddy, in a run for Mayor of Nashville, against Rayna’s wishes.
“Nashville” stars Connie Britton (“Friday Night Lights,” “American Horror Story”) as Rayna, Hayden Panettiere (“Heroes”) as Juliette, Powers Boothe (“MacGruber,” “24”) as Lamar, Charles Esten (“Enlightened,” “Big Love”) as Deacon, Eric Close (“Chaos,” “Without a Trace”) as Teddy, Clare Bowen as Scarlett, Jonathan Jackson (“General Hospital”) as Avery, Sam Palladio as Gunnar and Robert Wisdom as Coleman.
“Nashville” was written by Callie Khouri (“Thelma & Louise”) who is an executive producer along with R.J. Cutler (“The September Issue,” “The War Room,” “Flip That House,” “A Perfect Candidate”) and Steve Buchanan. The pilot for “Nashville” was directed by R.J. Cutler. The series is produced by Lionsgate, ABC Studios and Gaylord Entertainment.
“RED WIDOW.” When Marta Walraven’s (Radha Mitchell) husband is brutally murdered, her first instinct is to protect her three young children. Her husband’s business partners – Irwin Petrova (Wil Traval), Marta’s scheming and untrustworthy brother, and Mike Tomlin (Lee Tergesen) — were involved in an illegal drug business deal with rival gangsters, and Marta’s husband paid the ultimate price. She already knows the violent world of organized crime; her father, Andrei Petrova (Rade Sherbedzija), and loyal bodyguard Luther (Luke Goss) are gangsters too. She and her sister Kat (Jaime Ray Newman) had always wished for a safer life without bloodshed and fear. For a while Marta lived happily as a stay at home housewife in San Marta’s cooperation, FBI Agent James Ramos (Mido Hamada) now promises justice.
Marta discovers a tenacity she never knew she had, and takes on the gangsters and the FBI to unveil the truth about her husband’s death. As she digs into this dark underworld, she’ll test her own strength, relying on her resourcefulness, determination and family ties like never before. To get out of this mob, she needs to beat the bad guys at their own deadly game.
“Red Widow” stars Radha Mitchell (“Melinda and Melinda,” “Silent Hill,” “Rogue,” “Henry Poll Is Here,” “The Children of Huang Shi,” “The Waiting City”) as Marta Walraven, Wil Traval (“Rescue Special Ops,” “Underbelly,” “All Saints”) as Irwin Petrova, Erin Moriarty (“One Life To Live”) as Natalie Walraven, Sterling Beaumon (“Arthur Newman, Golf Pro, “Clue”) as Gabriel Walraven, Lee Tergesen (“Army Wives”) as Mike Tomlin, Jakob Salvati as Boris Walraven, Mido Hamada as FBI Agent James Ramos, Luke Goss as Luther, Jaime Ray Newman (“Drop Dead Diva”) as Kat Petrova, Suleka Mathew (“Hawthorne”) as Dina Tomlin and Rade Serbedzija (“24”) as Andrei Petrova.
“ZERO HOUR.” As the publisher of a paranormal enthusiast magazine, Modern Skeptic, Hank Galliston has spent his career following clues, debunking myths and solving conspiracies. A confessed paranormal junkie, his motto is “logic is the compass.” But when his beautiful wife, Laila (Jacinda Barrett), is abducted from her antique clock shop, Hank gets pulled into one of the most compelling mysteries in human history, stretching around the world and back centuries.
Contained in one of his wife’s clocks is a treasure map, and what it leads to could be cataclysmic. Now it’s up to Hank to decipher the symbols and unlock the secrets of the map, while ensuring the answers don’t fall into the wrong hands – a man they call White Vincent (Michael Nyqvist). With his two young associates, Rachel (Addison Timlin) and Arron (Scott Michael Foster), in tow, along with Becca Riley, a sexy FBI agent (Carmen Ejogo), Hank will lead them on a breathless race against the clock to find his wife and save humanity.
“Zero Hour” stars Anthony Edwards (“Big Sur,” “Flipped,” “ER”) as Hank, Carmen Ejogo (“Sparkle,” “Chaos,” “Away We Go”) as Beck, Scott Michael Foster (“Californication,” “The River”) as Aaron, Addison Timlin (“Californication”) as Rachel, Jacinda Barrett (“Matching Jack,” “Middle Men,” “New York, I Love You”) as Laila and Michael Nyqvist (“Mission: Impossible – Ghost Patrol”) as White Vincent.
COMEDY
“HOW TO LIVE WITH YOUR PARENTS (FOR THE REST OF YOUR LIFE).” Polly (Sarah Chalke) is a single mom who’s been divorced for almost a year. The transition wasn’t easy for her, especially in this economy. So, like a lot of young people living in this new reality, she and her daughter, Natalie (Rachel Eggleston), have moved back home with her eccentric parents, Elaine (Elizabeth Perkins) and Max (Brad Garrett). But Polly and her parents look at life through two different lenses. Polly’s too uptight. Her parents are too laid back. Polly’s conservative when it comes to dating (no action, whatsoever), while her parents are still sexually adventurous. They think Polly turned out okay, so what’s the big deal? Well, they say it takes a village to raise a child…and in Polly’s case, this village is on fire. But with help from her best friend Gregg (Orlando Jones), her lovable yet irresponsible ex-husband Julian (Jon Dore) and her cool and fun assistant Jenn (Rebecca Delgado Smith) Polly takes her first steps toward getting a life, starting with a social one.
“How to Live with Your Parents (For the Rest of Your Life)” stars Sarah Chalke (“Mad Love,” “Scrubs”) as Polly, Jon Dore as Julian, Rachel Eggleston as Natalie, Brad Garrett (“Everybody Loves Raymond,” “‘Til Death”) as Max, Orlando Jones (“Rules of Engagement”) as Gregg, Elizabeth Perkins (“Weeds”) as Elaine, Rebecca Delgado Smith as Jenn.
“MALIBU COUNTRY.” When Reba Gallagher (Reba) discovers that her husband, Bobby, (Jeffrey Nordling) a country music legend, has a cheatin’ heart, her world is turned upside down. Reba dreamt of becoming a country star herself, but put her career on hold to raise a family. Now she’s questioning all of that, big-time. With the ink on her divorce barely dry, Reba packs up her sharp-tongued mother, Lillie May (Lily Tomlin), her two kids and the U-Haul and heads for sunny California to begin a new chapter. Leaving Nashville in the rear view, they start over at their Malibu residence — the last remaining asset they have. Reba gets to know her new open and loving neighbor Kim (Sara Rue) and her son, Sage, but also discovers that relocation to Southern California is going to be quite an adjustment for a traditional southern belle: the West Coast seems like the polar opposite of Music City, and Reba feels like an outsider. Still, with the support of her family she sets about finding her voice, jump-starting her music career with the help of her new music agent, Geoffrey (Jai Rodriguez), and embracing this chance to begin again.
“Malibu Country” stars country music superstar Reba (“Reba,” “Tremors”) as Reba, Sara Rue (“Rules of Engagement,” “Less Than Perfect”) as Kim, Justin Prentice as Cash, Juliette Angelo as June, Jai Rodriguez (“Bones,” “How I Met Your Mother,” one of the original hosts of “Queer Eye for the Straight Guy”) as Geoffrey and Lily Tomlin (“Eastbound and Down,” “Damages,” “Desperate Housewives,” “West Wing,” “Nine to Five,” “All of Me,” “Nashville”) as Lillie May.
“THE NEIGHBORS.” How well do you know your neighbors? Meet the Weavers, Debbie (Jami Gertz) and Marty (Lenny Venito). Marty, in hopes of providing a better life for his wife and three kids, recently bought a home in Hidden Hills, a gated New Jersey townhome community with its own golf course. Hidden Hills is so exclusive that a house hasn’t come on the market in 10 years. But one finally did and the Weavers got it!
It’s clear from day one that the residents of Hidden Hills are a little different. For starters, their new neighbors all have pro-athlete names like Reggie Jackson (Tim Jo), Jackie Joyner-Kersee (Toks Olagundoye), Dick Butkis (Ian Patrick) and Larry Bird (Simon Templeman). Over dinner, Marty and his family discover that their neighbors receive nourishment through their eyes by reading books, rather than eating. The Weavers soon learn that the entire community is comprised of aliens from Zabvron, where the men bear children and everyone cries green goo from their ears.
The Zabvronians have been stationed on Earth for the past 10 years, disguised as humans, awaiting instructions from home, and the Weavers are the first humans they’ve had the opportunity to know. As it turns out, the pressures of marriage and Parenthood are not exclusive to planet Earth. Two worlds will collide with hilarious consequences as everyone discovers they can “totally relate” and learn a lot from each other.
“The Neighbors” stars Jami Gertz (“Entourage,” “Modern Family,” “Still Standing,” “Ally McBeal”) as Debbie Weaver, Lenny Venito (“Bored to Death,” “Men in Black III,” “Person Of Interest,” “Curb Your Enthusiasm”) as Marty Weaver, Simon Templeman as Larry Bird, Toks Olagundoye as Jackie Joyner-Kersee, Clara Mamet as Amber Weaver, Tim Jo (“Glory Daze”) as Reggie Jackson, Ian Patrick (“Wanderlust”) as Dick Butkis, Max Charles (“The Three Stooges,” “The Amazing Spider-Man”) as Max Weaver, Isabella Cramp as Abby Weaver.
“THE FAMILY TOOLS.” Mixing family with business is never easy, and Jack Shea (Kyle Bornheimer) is about to learn that lesson the hard way. When Jack’s father, Tony (J.K. Simmons), has a heart attack and is forced to hand over the keys to his beloved handyman business, Jack is eager to finally step up and make his father proud. Unfortunately Jack’s past career efforts have been less than stellar, so everyone seems to be waiting for him to fail. His new job isn’t made any easier by Tony’s rebellious, troublemaker assistant, Darren (Edi Gathegi), and Darren’s flirtatious sister, Liz (Danielle Nicolet), who works at the local hardware store. Yet with the support of his Aunt Terry (Leah Remini) and his oddball yet endearing cousin Mason (Johnny Pemberton), Jack Shea may just find his true calling right at home.
“The Family Tools” stars Kyle Bornheimer (“Bachelorette,” “Romantically Challenged,” “Perfect Couples”) as Jack Shea, J.K. Simmons (“Ultimate Spiderman,” “Generator Rex,” “The Closer”) as Tony Shea, Edi Gathegi (“X Men: First Class”) as Darren, Johnny Pemberton (“21 Jump Street,” “Aim High”) as Mason, Danielle Nicolet (“X Men TV Series”) as Liz and Leah Remini (“In the Motherhood,” “King of Queens”) as Terry.
Telemundo Upfront: 40% More Original Spanish-Language Content
Telemundo Media (an NBCUniversal property), which is the fastest growing broadcast network in primetime among adults 18-49 according to Nielsen data, has announced its 2012-2013 programming lineup, with more than 800 hours of original content. That increases the network’s original programming slate by nearly 40%.
That is good news for advertisers hoping to reach the Hispanic demo. According to Kantar Media, Spanish language TV ad spending surged 19.1% in fourth quarter, paced by higher sell-out levels at over-the-air networks. For all of 2011, the segment increased 8.3%.
The network’s new programming increase includes six telenovelas, two daytime shows and a reality competition. New original telenovelas include “El Rostro de la Venganza” (The Face of Revenge), “El Señor de los Cielos” (The Lord of the Heavens), “La Patrona” (The Patron), “Pasión Prohibida” (Forbidden Passion), “Nace un Idolo” (An Idol is Born) and “Fina Estampa” (Fine Pedigree); as well as daytime programs “Cuauhtemoc” and “Virgen Morena” (The Virgin of Guadalupe), and reality competition “Yo Me Llamo” (My Name is). Telemundo also announced the launch of its new branding campaign for the fall and unveiled a new logo capturing the essence of the Hispanic experience in the U.S. Additionally, Telemundo expanded its family of mobile apps with the launch of the Telemundo Entertainment App, giving audiences access to Telemundo content wherever and whenever they want it.
“This season we are presenting our most ambitious original programming slate ever, a testament to our commitment to produce the most relevant Spanish-language content for the largest Hispanic audience possible,” said Emilio Romano, President, Telemundo Media. “Fueled by our record-breaking performance and the support of Comcast and NBCUniversal, together with a leading team of executives, our mission is to become the number one Hispanic media company in the U.S. and the leading producer of Spanish-language content in the world.”
Telemundo Media enters this year’s Upfront with an increase of four share points in the first half of the broadcast season, the only major Spanish-language network to grow its share. The network also recently delivered its highest-rated quarter ever in network history with total viewers, up 10% vs. Q1 2011. In addition, Telemundo’s cable youth channel, mun2, is the number one Hispanic cable network among Hispanics in the coveted 18-34 demographic. In March, Telemundo.com was the #1 Spanish-language website for engagement, delivering six times more minutes per viewer and 15 million more total minutes than its competition.
Last year, Telemundo and mun2 recorded their best Upfront season ever, adding more than 50 new advertisers, delivering 20% growth in national ad revenue, more than any other Spanish-language broadcast network. An estimated $88MM of new business came to Spanish-language television with Telemundo commanding more than half (55%) of that new business. And in the first quarter of 2012, Telemundo added 12 new advertisers, with increases in the automotive and pharmaceutical categories.
Telemundo announced it will launch its rebranding campaign complete with a new logo, tagline and on-air identity this fall. The network’s new positioning platform aims to capture the duality of Telemundo’s audience, balancing the strong connection to their Latin roots with their contemporary mindset of living in the U.S.
The network’s original programming will embody the brand attributes of modern, original, creative, pioneering and passionate, all aimed at speaking to the hearts and minds and the unique perspective of its audience.
“Hispanics living in the U.S. often transcend two worlds — roots in their home country and their lives here today,” said Jacqueline Hernández, Chief Operating Officer, Telemundo Media. “Our new positioning platform reflects our audience’s duality of being in America and being Latino.”
Additionally, Telemundo Digital announced the launch of its Entertainment App. The Telemundo Entertainment App features bilingual content, marking the first time Telemundo and mun2 partner on a mobile app. The bilingual app features content from Telemundo’s popular CrossOver channel on www.Telemundo.com and provides users with the most up-to-date entertainment news through breaking news alerts. Users can access Telemundo’s full programming schedule and add calendar reminders to their phone about program air dates and times and mark particular programs and sections as “favorites.” In addition to commenting on and rating the app’s articles, photos and videos, a new social media integration enables users to share content from the app directly with friends and followers, as well as follow, tweet and re-tweet favorite Telemundo programs, talent and celebrities.
Following is a list of the Telemundo Media series:
TELENOVELAS
“El Rostro de la Venganza” (The Face of Revenge)
After spending most of his life in jail paying for a crime he has no memory of committing, 30 year-old Diego Mercader Carrasco is released and adopts a different identity to begin a new life and protect himself from his past. With the help of his psychiatrist Antonia Villarroel and Ezequiel Alvarado, who becomes his benefactor and a father figure, Diego gets a second chance as he will now be known as Martin Mendez.
Antonia and Martin (Diego) become romantically involved, and she teaches him about life and love. As her love for Martin grows, Antonia digs deeper into Diego’s case, trying to find out what really happened 20 years earlier. Determined to prove his innocence, Antonia gets involved more than she should and will pay a very high price for her investigation. Meanwhile, Martin must uncover the past and piece together clues and memories of the tragedy that unfolded 20 years ago to reveal…what really happened that day?
“El Señor de los Cielos” (The Lord of the Heavens)
Damian Torres is a man of humble beginnings who dreamed of having it all. Through relentless will and fearless determination, Damian transforms himself from a poor peasant into one of the world’s richest men and a powerful drug trafficker, wanted by the DEA. Damian embodies the entire spectrum of what the human soul is capable of, from the virtuous to the unthinkable, all fueled by his immeasurable desire for power and wealth. Damian's life turns into a quest for survival when his numerous enemies start hunting him down and the DEA closes in. He realizes that his only way out is to start a new life as literally a new man, so he decides to undergo facial reconstruction. Damian will discover that on the dangerous path to riches he chose to take, there is no turning back.
“La Patrona” (The Patron)
Adriana Ordoñez’s life has led her to endure unexpected hardships, but because of her immeasurable strength, she will ultimately experience the greatest of transformations, both physically and emotionally, in a quest for redemption. After her parents died in an accident, Adriana is taken in by Mari Cruz Perez, the distinguished Beltran family’s chef. Mari becomes Adriana’s foster mother giving her the love and affection she craved. Adriana’s misfortune comes as a result of falling in love with Alejandro, the fiancé of one of the Beltran family’s daughters, which makes Adriana a target for many in the family. Her enemies conspire and have her locked up in an asylum, but a terrible fire destroys the facility. Adriana narrowly escapes with her life; however everyone believes she is dead. While she is recovering, Adriana learns that she inherited her father’s valuable lands. Adriana vows to take advantage of the opportunity and change her life forever. Transforming herself into a powerful and wealthy woman, Adriana hides her true identity to take revenge upon those who wronged her. But will her plans for revenge eclipse the only true love she has ever known?
“Pasión Prohibida” (Forbidden Passion)
Mariana is driven by hatred against Deborah, her mother, whom she blames for the death of her father. Mariana marries Juan Pablo, an older, wealthy widower, whom Deborah has set her eyes on, seeking his fortune. Despite Juan Pablo’s kindness and love towards her, in reality, Mariana does not genuinely love him. When Mariana discovers a hidden truth and realizes her vengeance is unfounded, she tries to find happiness alongside Juan Pablo. However, Mariana never imagined that she would find the passion and true love she was seeking in Bruno, her husband’s nephew. For his part, Bruno has an internal struggle because of the passion he feels for Mariana and the loyalty he owes to Juan Pablo, a man whom he considers his adoptive father. Ultimately, Mariana and Bruno will live a love that is passionate but forbidden and which will turn Mariana into a victim of her own game.
“Nace un Idolo” (An Idol is Born)
The serialized biography is based on the real-life story of José Sosa Ortiz – better known as José José, “El Príncipe de la Canción” (The Prince of Song), a Mexican musical icon adored by millions around the world. His story embodies a man’s journey to reach the status of an idol – including fame and fortune – and the high price he had to pay to achieve his dreams.
“Nace un Idolo” highlights the passion and excitement that a superstar artist feels for his craft and the adoration of his fans. It also displays the frailty of the man coping with his addiction and its damaging effects. His is a story of hope and new beginnings and the success to regain all that he almost lost — his family, his voice, his life.
“Fina Estampa” (Fine Pedigree)
After her husband apparently disappears at sea, Griselda is determined to do anything to provide for her family, even if it means taking on the job of a “handyman,” an unusual profession for a woman. Hard-working and humble, Griselda is proud of her job because it allows her to prove that someone can have a decent, happy life without compromising one’s values. One of her sons is getting engaged to the daughter of Teresa Cristina, a wealthy, elegant and superficial woman. Teresa Cristina is horrified at the prospect of being related to a woman from a lower class so she continuously humiliates Griselda, even though her husband, Rene, reproaches her for her actions.
After many years playing the same lottery numbers, Griselda wins $25 million dollars, and her life suddenly changes, but not her nature. Her fortune doesn’t just bring Griselda a better life; it also “resurrects” her husband who had supposedly been dead for years, leading to a series of unexpected complications for Griselda and her family. Despite having more money than she ever imagined, Griselda learns that life is never easy; but for someone with integrity, anything is possible — even finding true love.
“La Reina del Sur 2” (Queen of the South 2)
Telemundo also announced today it has acquired the rights to the sequel of “La Reina del Sur,” the blockbuster hit that captivated viewers night after night, making it the highest-rated novela in the company’s history. Production and air dates to be announced.
DAYTIME
“Cuauhtemoc"
The daytime talk show stars Carlos Cuauhtémoc Sánchez, a bestselling author and international motivational speaker, as the host of this program where couples and families will overcome their personal issues and struggles.
“Virgen Morena” (The Virgin of Guadalupe)
“Virgen Morena” is a dramatic series featuring self-contained episodes that highlight moving stories inspired by true events where people facing a life struggle look to Our Lady of Guadalupe (affectionately known in Mexico as “La Virgen Morena”) for a miraculous resolution to their problem. The series marks the first time in the industry a daytime novela is produced exclusively for U.S. Hispanics.
REALITY COMPETITION
“Yo Me Llamo” (My Name is)
“Yo Me Llamo,” an international hit, is a talent competition where the country’s most talented amateur singers/performers compete to win a grand prize by transforming themselves into their favorite musical icon.
Upfront TV: NBC’s Pirate Drama | Spears + Lovato = Factor | A Groupon Sitcom?!
- NBC joins the pirate craze. The network has picked up “Crossbones” from the successful producing team of Walter Parkes and Laurie MacDonald (“Gladiator,” “Men in Black,” “The Ring”). Ten episodes of the action/adventure series have been ordered and production will begin in the fall. The premise: It’s 1715 on the Bahamian island of New Providence, the first functioning democracy in the Americas, where the diabolical pirate Edward Teach (aka Blackbeard) reigns over a rogue nation of thieves, outlaws and miscreant sailors. Part shantytown, part marauder’s paradise, this is a place like no other on earth – and a mounting threat to international commerce. But who are the greater villains—the cutthroats or the British? Interestingly, but for Disney’s “Pirates of the Caribbean” films with Johnny Depp, pirate films and TV have been legendary duds since the 1940s. Four films in the last 30 years (“Swashbuckler” with Rober Shaw, “Nate & Hayes” with Tommy Lee Jones, “Pirates” directed by Roman Polanski and “Cutthroat Island” with Geena Davis) have all tanked.
- “It’s official,” writes Hollywood Reporter. Britney Spears will join Fox’s “The X Factor” as one of its new judges (a spot Janet Jackson declined), alongside popstar Demi Lovato, for a reported $15 million. The Wall Street Journal described the 2011-2012 season as a “disappointing debut year” for X Factor.
- CNN is planning to launch a feature film banner called CNN Films, reports TVNewser, to create non-fiction films for TV and theatrical release. CNN Films will pursue well-known, distinguished documentarians and filmmakers to produce the features. The films will air on CNN, and in limited theatrical release and at film festivals. The first features are expected to debut sometime in 2013. CNN will continue to produce and acquire long-form programming under the “CNN Presents” and “In America” banners, separately from CNN Films.
- Katy Perry will debut a new song, “Wide Awake,” in an exclusive performance on the “2012 Billboard Music Awards,” airing live from the MGM Grand Garden Arena in Las Vegas on Sunday, May 20 (8:00-11:00 P.M. ET) on the ABC Television Network. “Wide Awake” was written for her upcoming film, “Katy Perry: Part of Me,” which will be released on July 5. Katy Perry’s two albums have generated a string of No. 1 hit singles and multi-platinum sales over the past four years. The special edition “Teenage Dream: The Complete Confection,” available now, features three new songs, including “Part of Me,” her 7th Hot 100 No. 1 hit, and “Wide Awake,” written for the forthcoming 3D “Katy Perry: Part of Me” film.
- Groupon is the focus of a new sitcom, reports Vanity Fair (although Groupon is not directly involved). CBS has just ordered a sitcom about two friends who moved to Los Angeles to work at Groupon. The series is called “Friend Me” (which muddies the waters with Facebook). The show will star Christopher Mintz-Plasse, from "Superbad," and Nicholas Braun, from "Red State." One of the pair is an online poker addict, while the other tries to drag his friend out into the real Los Angeles. Groupon has denied any involvement with the series.
CEA: Consumers Use HDTV Like An iPad
As video consumption increases and viewing devices vary, consumers are still using televisions most often to watch video, according to The Evolving Video Landscape study released by the Consumer Electronics Association (CEA). So should ad buyers take back those digital dollars they robbed from TV budgets? Not necessarily. Consumers are increasingly using televisions like iPads, for social media, music and web browsing.
Consumers are watching more video than they have in the past, across a variety of platforms. One-third of U.S. adults online (34%) say they watch more video content today than they did a year ago. Viewing of television video programming is up 28%, with consumers citing convenience and the appeal/variety of programming as the top factors for increased viewing. Viewing of content on portable devices has also increased, with 40% watching more on those devices today than a year ago.
Many consumers (66%) who are watching video content on television are simultaneously using other consumer electronics (CE) devices. This behavior is more prevalent among younger consumers, as 85% of 18- to 24-year-olds and 70% of 25- to 34-year-olds multitask with another device while watching video on a television. U.S. adults online report watching some type of video content an average of 3.2 hours a day, five days per week.
Televisions continue to be the most commonly used device for watching video but other devices are gaining in popularity. HDTVs are the most prevalent devices used for video viewing, used by two-thirds (66 percent) of U.S. adults online. Computers are also commonly used to watch video, with 62 percent using a laptop to watch video and 55% using a desktop. One-third (33%) of consumers are using their smartphones to watch video content, and 17% are using their tablets.
“Consumers are watching more video than they have in years past and they are seeking devices and technologies that deliver a quality video and audio experience,” said Shawn DuBravac, CEA’s chief economist and director of research. “However, younger consumers accustomed to multitasking are defining new video behaviors as they watch video content across multiple platforms, on their own schedule, all while interacting socially on their devices with their friends.”
Televisions have also emerged as a device that can do more than just play video. Among consumers using televisions to watch video content, nearly half (47%) also use their sets for other purposes. One in three (34%) consumers who use a television to watch video also use their set to listen to music, and one in five (21%) uses a television to listen to audio. Usage also varies by age and the type of display owned. Younger consumers, those under age 25, rely on their TVs more for music, social media, going on the Web and communicating. Consumers with Internet-enabled TVs use their displays in a number of ways as well: 47% listen to music, 28% use social media, 26% surf the Web and 23% view photos.
Future television purchases will be based on better picture quality and larger screen sizes as consumers will continue to seek the latest innovations in the market. Almost half (48%) of consumers planning to purchase a TV in the next 12 months will be replacing an aging, obsolete or broken set. However, half (51%) desire improved picture quality in a new display and half (50%) want a larger screen size. One in four (24%) consumers with intentions to purchase a TV over the next year expect to purchase a 3DTV; 21% plan to purchase an OLED display; and a quarter of consumers (25%) plan to purchase an Internet-enabled TV. While stated purchase intentions do not always translate to transactions, the study clearly shows many consumers have their eyes fixed on newer TV technologies.
“Easy access to the Web makes TVs more versatile, allowing us to stay connected, informed and entertained,” said DuBravac. “In the future, new technologies, like OLED and 3D, will continue to improve the viewer experience, and Internet-enabled sets will fulfill consumers’ desires to be connected.”
The Evolving Video Landscape Study (April 2012) was conducted between February 22 and March 2, 2012. It was designed and formulated by CEA Market Research, the most comprehensive source of sales data, forecasts, consumer research and historical trends for the consumer electronics industry. Please cite any information to the Consumer Electronics Association (CEA)®. The complete study is available free to CEA member companies at members.CE.org. Non-members may purchase the study at the CEA Store.
Fox Upfront: Kevin Bacon Drama, a Mob Doctor, No “Alcatraz” Or “Finder”
Fox has announced its 2012-13 primetime lineup, which brings Kevin Bacon to broadcast TV in “The Following,” as an ex-FBI agent tracking a serial killer (and a cult of copycats). Also in the lineup, “Mob Doctor,” following a young thoracic surgeon (Jordana Spiro) who juggles career and mob debt, as a Reuters story describes.
"Alcatraz" and "The Finder," both of which debuted in January as midseason replacements, will not have sophomore seasons.
FOX 2012-2013 PRIMETIME SCHEDULE (All Times ET/PT)
MONDAY
8:00-9:00 P.M. “Bones”
9:00-10:00 P.M. “THE MOB DOCTOR”
“THE FOLLOWING” joins in midseason.
TUESDAY
8:00-8:30 P.M. “Raising Hope”
8:30-9:00 P.M. “BEN AND KATE”
9:00-9:30 P.M. “New Girl”
9:30-10:00 P.M. “THE MINDY PROJECT” (new)
“THE GOODWIN GAMES” joins in midseason.
WEDNESDAY
8:00-10:00 P.M. “The X-Factor”(fall) / “American Idol” (midseason)
THURSDAY
8:00-9:00 P.M. “The X-Factor Results” (fall) / “American Idol Results” (midseason)
9:00-10:00 P.M. “Glee”
FRIDAY
8:00-9:00 P.M. “Touch”
9:00-10:00 P.M. “Fringe” (Fall)
“Hell’s Kitchen” (returns midseason)
SATURDAY
7:00-10:30 P.M. “Fox Sports Saturday” (fall)
“Cops” (returns midseason)
“ANIMATION DOMINATION HIGH-DEF” (new) will join late-prime in 2013.
SUNDAY
7:00-7:30 P.M. NFL Game (fall) / “ANIMATION DOMINATION” (encores)
7:30-8:00 P.M. “The OT” (fall) / “The Cleveland Show”
8:00-8:30 P.M. “The Simpsons”
8:30-9:00 P.M. “Bob’s Burgers”
9:00-9:30 P.M. “Family Guy”
9:30-10:00 P.M. “American Dad”
NEW SERIES SYNOPSES
COMEDIES
“Ben and Kate” – What happens when an exuberant, irresponsible dreamer who always says “yes” moves in with his overly responsible little sister to help raise her five-year-old daughter? BEN AND KATE, a new single-camera young ensemble comedy, follows these odd-couple siblings as they push each other out of their comfort zones and into real life. KATE FOX (Dakota Johnson, “The Social Network”) followed the rules all her life…until she got pregnant in college and dropped out just shy of graduation. After the birth of her daughter, MADDIE (Maggie Jones, “We Bought a Zoo,” “Footloose”), Kate put her twenties on hold. Now working as a bar manager to make ends meet and maximize her time with five-year-old Maddie, she’s uber-prepared for every possible catastrophe – except for the arrival of her older brother, BEN FOX (Nat Faxon, “Bad Teacher”). Ben likes trouble a lot more than his sister does. His infectious energy makes you want to follow him into any number of bad ideas. He’ll totally screw up your life, but somehow, you’ll feel good about it. Where Kate is all about planning and preparing, Ben is big on spontaneity and out-of-the-box ideas. But don’t let the Velcro wallet fool you – he’ll probably be a millionaire someday. When Ben comes to crash on Kate’s couch for a few days, he finds a sad state of affairs. Kate’s surviving, but not living. Ben realizes that for the first time in their lives, Kate needs his help and he’s determined to bring some much-needed chaos into her overly stable world. He starts by offering to help look after Maddie so Kate can get back to experiencing her mid-twenties and making mistakes, since the one real “mistake” she’s made turned out to be the best thing that ever happened to her. Always there to help with Ben’s crazy schemes is his partner-in-crime, TOMMY (newcomer Echo Kellum), who worships Ben like a hero and nurses a serious crush on Kate. Kate’s British best friend, BJ (Lucy Punch, “Bad Teacher”), is a cocktail waitress at the bar that Kate manages and an all-around hot mess who would do anything for Kate, even if her advice is often questionable and occasionally illegal. From writer/executive producer Dana Fox (NEW GIRL, “What Happens in Vegas”) and executive producer/director Jake Kasdan (NEW GIRL, “Bad Teacher”), BEN AND KATE is a heartwarming story of deeply mismatched siblings: a sister who needs to go for her dreams and a brother who needs to get his head out of the clouds.
“The Mindy Project” is a new single-camera comedy from Emmy Award-nominated writer/producer and New York Times best-selling author Mindy Kaling (“The Office”) that follows a woman who, despite having a successful career, desperately needs to break bad habits in her personal life. After all, how many doctors make inappropriate toasts at their ex-boyfriend’s wedding, nearly drown at the bottom of a stranger’s pool and get arrested for disorderly conduct just moments before having to deliver a baby? Funny, impatient and politically incorrect, MINDY LAHIRI (Kaling) can quote every romantic comedy starring Meg Ryan that exists. She loves the good ones and the bad ones, because the girl always gets the guy. Mindy is determined to be more punctual, spend less money, lose weight and read more books – all in pursuit of becoming a well-rounded perfect woman…who can meet and date the perfect guy. Mindy is a skilled OB/GYN and shares a practice with a few other doctors, none of whom make life any easier for her. JEREMY REED (British writer/comedian Ed Weeks) is the walking definition of total bad news. He not only shares a practice with Mindy, but sometimes her bed as well – despite her best efforts to resist. He is funny, self-absorbed and super sexy. In contrast, DANNY CASTELLANO (Chris Messina, “Damages”) is a hothead and guys’ guy who has a habit of stealing Mindy’s patients. Danny criticizes her for everything, including her struggling love life and her lack of professionalism – even though it’s obvious to everyone except Mindy that he secretly admires her work. His blue-collar childhood gives him a big chip on his shoulder, but he is a dedicated physician, which Mindy can’t stand to admit because he’s always getting on her case. Rounding out the office staff are the receptionists – BETSY PUTCH (Zoe Jarman, “Huge”), young, earnest and easily excitable, who thinks the world of Mindy and is always trying to impress her; and SHAUNA DICANIO (newcomer Dana DeLorenzo), a self-assured Jersey Girl who is indifferent to Mindy, always knows where the cool party is and carries a poorly concealed torch for Danny. Mindy is in constant communication with her beloved best friend from college, GWEN GRANDY (Anna Camp, “The Good Wife”), who also happens to be the governor’s daughter. Gwen is a hilarious, sometimes too-blunt friend, and secretly a former carefree party girl (which only Mindy seems to remember). Although Gwen is now happily married to a financial analyst, with a six-year-old daughter, this lawyer-turned-Pilates mom remains squarely in Mindy’s corner. As Mindy attempts to get her career off the ground and meet a guy who passes her red flag test (no drug habits, no skinny jeans and no secret families, among others), only time will tell if she gets her romantic comedy ending.
DRAMAS
“The Mob Doctor” – For most physicians, the Hippocratic oath is sacred. But for one Chicago doctor, who is indebted to the mafia, saving lives isn’t her only concern. THE MOB DOCTOR is a fast-paced medical drama featuring a brilliant young female cardiothoracic surgeon who is split between two distinct worlds as she juggles her promising medical career with her lifelong debt as a doctor to Chicago’s Southside mob. DR. GRACE DEVLIN (Jordana Spiro, “My Boys”) is a top resident at Chicago’s Roosevelt Medical Center. Smart and self-assured, she’s heralded as one of the country’s most promising young surgeons. But family ties keep her glued to her Southside roots. To pay off her brother’s life-threatening gambling debt, she makes a deal with the devil and agrees to work “off book” for the mafia men she once despised. During the day, Grace must deal with the emotionally compelling cases at Roosevelt Medical – a toddler in need of a heart transplant, an elderly man desperate to donate a lung to his sick wife, the mass chaos in the wake of a two-train collision on the ‘L.’ But in her other vastly different world, she must juggle an onslaught of mob-related demands, including operating in mob-sanctioned locations, removing bullets from dead bodies to hide incriminating evidence, saving a juiced-up race horse and covertly helping an aging mobster with his erectile dysfunction. All the while, Grace must keep her dual life a secret from everyone: her protective best friend, NURSE ROBERTA “RO” ANGELI (Floriana Lima, “Glory Daze”); her handsome, blue-blooded boyfriend, DR. BRETT ROBINSON (Zach Gilford, “Off The Map,” “Friday Night Lights”); her boss at Roosevelt Medical and Chief of Surgery, DR. STAFFORD WHITE (Zeljko Ivanek, “The Event,” “Damages”); her rival, DR. OLIVIA WATSON (Jaime Lee Kirchner, “Necessary Roughness,” “Mercy”); even her well-meaning screw-up brother, NATE (Jesse Lee Soffer, “As the World Turns”), and her overly dramatic mother, DANIELLA (Wendy Makkena, “NCIS”). The only one who knows the true scope of Grace’s activities is the man to whom Grace owes her debt: the charming and diabolical Southside mob boss CONSTANTINE ALEXANDER (William Forsythe, “Boardwalk Empire”), an oddly compassionate killer whose relationship with Grace is more than it seems. Recently released from prison, the former head of the Chicago mob looks to reclaim his place in the organization, with the help of his right-hand associate – and Grace’s ex-boyfriend – FRANCO (James Carpinello, “The Good Wife”). As Grace tries to heed the demands of these two conflicting worlds – not to mention the needs of her own slightly dysfunctional family – her moral center comes into direct conflict with the very immoral things she’s asked to do. But with nerves of steel and a tough-as-nails exterior, she somehow manages to make it all work – at least for now.
NEW DRAMAS DEBUTING MIDSEASON
“The Following” – The FBI estimates there are currently over 300 active serial killers in the United States. What would happen if these killers had a way of communicating and connecting with each other? What if they were able to work together and form alliances across the country? What if one brilliant psychotic serial killer was able to bring them all together and activate a following? Welcome to THE FOLLOWING, the terrifying new thriller from creator/executive producer Kevin Williamson (“The Vampire Diaries,” “Dawson’s Creek,” the “Scream” franchise). When notorious serial killer JOE CARROLL (James Purefoy, “Rome”) escapes from death row and embarks on a new killing spree, the FBI calls former agent RYAN HARDY (Emmy-nominated actor Kevin Bacon, “X-Men: First Class”) to consult on the case. Having since withdrawn from the public eye, Hardy was responsible for Carroll’s capture nine years ago, after Carroll murdered 14 female students on the Virginia college campus where he taught literature. Hardy is a walking textbook of all-things Carroll. He knows him better than anyone; he is perhaps Carroll’s only psychological and intellectual match. But the Ryan Hardy who broke the Carroll case years ago isn’t the same man today. Wounded both physically and mentally by his previous pursuit of this serial killer, it’s been a long time since Hardy has been in the field. This investigation is his redemption, his call to action. In contrast to nine years ago, Hardy isn’t calling the shots on this case. He works closely with an FBI team, which includes all-business and tough-as-nails JENNIFER MASON (Jeananne Goossen, “The Vow,” ALCATRAZ) and young, razor-sharp MIKE WESTON (Shawn Ashmore, “X-Men”).
“The Goodwin Games” – Where there’s a will, there’s a way. And when that will’s worth more than 20 million dollars, you can bet someone’s going to find a way to get the cash. From the executive producers of “How I Met Your Mother,” THE GOODWIN GAMES is a single-camera comedy that tells the story of three grown siblings who return home after their father’s death, and unexpectedly find themselves poised to inherit a vast fortune – if they adhere to their late father’s wishes. If any of the Goodwin kids feel like they deserve the money, then it’s HENRY (Scott Foley, “Grey’s Anatomy,” “Felicity”), the eldest child and an overachieving surgeon. He sees himself as a role model for his less successful siblings – and reminds them every chance he gets. Returning home will force Henry to question the choices he’s made, especially as he reconnects with his first love and true soulmate, LUCINDA (Felisha Terrell, “Days of Our Lives”). Middle sibling CHLOE (Becki Newton, “Ugly Betty”) was a child prodigy in math, and her unofficial role as “the smart one” of the family still sends Henry into fits of jealousy. But long ago, Chloe gave up academics in favor of being the popular girl. Now, through a series of hidden messages, her late father will lead Chloe back to her old love of numbers – and back to the person she’s meant to be. Of the three siblings, the youngest, JIMMY (Jake Lacy, “Better With You”), could use the inheritance the most. A small-time ex-con and dull-witted guitarist who’s deep in debt to a loan shark, Jimmy may be the family screw-up, but he has more heart than anyone. Like his siblings,
NBC Upfront: Network Counts On “The Voice” For A Shot In The Arm
NBC has announced its full primetime lineup for 2012-13 primetime. Highlights include an expansion of comedy to Tuesday and Friday nights for a total of five full hours of primetime comedy; the first fall cycle of the hit competition “The Voice” and new dramas from J.J. Abrams and Dick Wolf on Monday and Wednesday nights, respectively.
As Ad Age describes, NBC will use "The Voice" as a lead-in for its Monday-night drama and two Tuesday-night comedies. "NBC has a lot at stake [having been] mired in turnaround efforts for years," said Ad Age. The 2012-2013 will be the second under ownership of Comcast, which hopes that "The Voice" and the Summer Olympics will cause a tide that "lifts all ships."
The season’s new fall comedies are “Go On,” “The New Normal,” “Animal Practice” and “Guys with Kids.” Other mid-season comedies include “Save Me,” “1600 Penn” and “Next Caller.”
The new fall dramas are “Revolution” and “Chicago Fire,” while “Do No Harm,” “Infamous” and “Hannibal” also will join the lineup in mid-season.
In addition, new alternative series include “Stars Earn Stripes,” “Howie Mandel’s White Elephant,” “Ready for Love,” and “Surprise with Jenny McCarthy.”
NBC’s returning shows are highlighted by “The Voice,” which returns on Mondays (8-10 P.M. ET) and includes an additional weekly hour on Tuesdays (8-9 P.M. ET).
Other returning scripted series are “Law & Order: Special Victims Unit,” “The Office,” “30 Rock,” “Community,” “Parenthood,” “Parks and Recreation,” “Whitney” and “Up All Night.” The alternative series returning are “The Celebrity Apprentice,” “Fashion Star,” “The Biggest Loser” and “Betty White’s Off Their Rockers.” Also renewed are “Dateline NBC” and “Rock Center with Brian Williams.” “Smash” and “Grimm” were given pickups earlier in the season.
The announcements were made by Robert Greenblatt, Chairman, NBC Entertainment, who said in a statement “We’ve taken a few first steps toward a turnaround over this past season and now we’re seeing a real opportunity to accelerate that process. We’ve got a lineup of new shows that will really get people to sit up and take notice. And with the Olympics coming this summer and two nights of ‘The Voice’ in the fall, we’ve also got the tools we need to give our shows the kind of launch they deserve.”
NBC FALL 2012-13 SCHEDULE
*New programs in UPPER CASE; all times ET)
MONDAY
8-10 P.M. – “The Voice”
10-11 P.M. – “REVOLUTION”
TUESDAY
8-9 P.M. –”The Voice”
9-9:30 P.M. – “GO ON”
9:30-10 P.M. – “THE NEW NORMAL”
10-11 P.M. – “Parenthood”
WEDNESDAY
8-8:30 P.M. – “ANIMAL PRACTICE”
8:30-9 P.M. – “GUYS WITH KIDS”
9-10 P.M. – “Law & Order: Special Victims Unit”
10-11 P.M. – “CHICAGO FIRE”
THURSDAY
8-8:30 P.M. – “30 Rock”
8:30-9 P.M. – “Up All Night”
9-9:30 P.M. – “The Office”
9:30-10 P.M. – “Parks and Recreation”
10-11 P.M. – “Rock Center with Brian Williams”
FRIDAY
8-8:30 P.M. – “Whitney”
8:30-9 P.M. – “Community”
9-10 P.M. – “Grimm”
10-11 P.M. – “Dateline NBC”
SATURDAY
Encore programming
SUNDAY (Fall 2012)
7- 8:15 P.M. — “Football Night in America”
8:15-11:30 P.M. — “NBC Sunday Night Football”
SUNDAY (Post-football/Winter 2013)
7-8 P.M. – “Dateline NBC”
8-9 P.M. – “Fashion Star”
9-10 P.M. – “The Celebrity Apprentice”
10-11 P.M. – “DO NO HARM”
2012-13 NEW SERIES DESCRIPTIONS
NEW COMEDIES
“Go On” — Misery loves company. Unless you’re sportscaster Ryan King (Matthew Perry, “Friends,” “Mr. Sunshine”) who thinks misery should just be left alone. After taking some time off, Ryan – who recently lost his wife in a car accident – is now ready to get back to work. And while he seems like his same old charming, cocky self, his boss won’t set him back on the air until he seeks counseling. So, Ryan reluctantly joins a support group with one goal in mind: get in, get out and get back on the radio as quickly as possible. Played by the fast-talking, sarcastic, and charismatic Perry, Ryan gives grief a real run for its money. Within one day of group therapy, he hijacks the meeting and suddenly the downtrodden are cajoled into playing a game of “who’s got the best sob story?” And in no time all of them are battling it out, trying to one-up each other’s despair. Now, this is fun! Ryan’s total lack of interest in healing might be just what this group needs – and maybe, exactly what he needs to move on with his life. Also starring are Tony winner Laura Benanti (“The Playboy Club”), Julie White (“Transformers”), Suzy Nakamura (“Dodgeball”), Khary Payton (“General Hospital”) and Allison Miller (“Terra Nova”). From the Emmy-winning writer and executive producer Scott Silveri (“Perfect Couples,” “Friends”) comes a new series that proves grief can be good. Todd Holland (“Malcolm in the Middle”) and Karey Burke (“Free Agents,” “Miss/Guided”) also serve as executive producers. The pilot was directed by Holland. “Go On” is a production of Universal Television, Dark Toy Entertainment and Silver & Gold Productions.
“The New Normal” — These days, families come in all forms – single dads, double moms, sperm donors, egg donors, one-night-stand donors… It’s 2012 and anything goes. Bryan (Andrew Rannells, “Girls,” “The Book of Mormon”) and David (Justin Bartha, “The Hangover”) are a Beverly Hills couple and they have it all. Well, almost. With successful careers and a committed and loving partnership, the one thing missing is a baby. And just when they think the stars will never align, enter Goldie (Georgia King, “One Day”), an extraordinary young woman with a checkered past. A Midwestern waitress and single mother looking to escape her dead-end life and small-minded grandmother (Ellen Barkin, “Ocean’s Thirteen”), Goldie decides to change everything and move to L.A. with her precocious 8-year-old daughter. Desperate and broke – but also fertile – Goldie quickly becomes the guys’ surrogate and quite possibly the girl of their dreams. Surrogate mother, surrogate family. “The New Normal” is produced by 20th Century Fox Television and Ryan Murphy Productions. Murphy serves as creator/executive producer and director along with executive producer/creator/writer Ali Adler (“Glee,” “Chuck”) and executive producer Dante Di Loreto (“Glee,” “American Horror Story”).
“Animal Practice” — Meet Dr. George Coleman (Justin Kirk, “Weeds”), a top-dog New York veterinarian. With an unorthodox style of operating, George’s success comes from his undeniable gift with animals of all kinds. That is, all but the human kind. Dorothy Crane once held the key to George’s heart, but today she also holds the key to the family business as she takes over Crane Animal Hospital. Not only is she George’s new boss, but her romantic history with him and her lack of experience with animals is seriously cramping his style. Dorothy is whip-smart and ambitious, and she’s going to make George pay for the past. Needless to say, he’s determined not to make any changes in his (animal) kingdom — which includes poker games with a resident capuchin monkey. Also starring are Tyler Labine (“Reaper,” “Sons of Tucson”) as Dr. Doug Jackson, a vet who’s great with animals but hapless in matters of the heart, Bobby Lee (“Harold & Kumar”) as Dr. Yamamoto, and newcomer Betsy Sodaro as Angela. “Animal Practice” is a production of Universal Television and American Work Inc. The executive producers are Scot Armstrong (“The Hangover Part II,” “Old School”) and Ravi Nandan (“Best Friends Forever”) of American Work Inc. (“Best Friends Forever”) along with Emmy Award winners Joe & Anthony Russo (“Community,” “Arrested Development”). “Animal Practice” was written by Brian Gatewood and Alessandro Tanaka (“The Sitter”), who also serve as executive producers. Gail Lerner (“Happy Endings”) also is an executive producer. Directed by the Emmy-winning Russo brothers, “Animal Practice” is a comedy where the animals are running the asylum.
“Guys with Kids” — From Emmy winner and executive producer Jimmy Fallon comes a new comedy about three thirty-something dads trying to hold on to their youth, while holding onto their new babies’ hands. Easy, right? Thankfully, Chris (Jesse Bradford, “The West Wing”), Nick (Zach Cregger, “Friends with Benefits”) and Gary (Anthony Anderson, “Law & Order”) have each other to help navigate their survival as new dads, while still trying desperately to remain dudes. Balancing work or staying at home, painfully married or happily divorced, they know that taking care of the little ones while maintaining a social life is a daily challenge. Whether it’s hosing the little squirt down in the kitchen sink or hitting the bar strapped with a baby björn, these guys are on a roller-coaster adventure – parenting like you (and they) have never seen before. Also starring are Jamie Lynn Sigler (“The Sopranos”) and Tempestt Bledsoe (“The Cosby Show”). Someone once said it is much easier to become a father than to be one. These three guys are about to find out just how true that is. “Guys with Kids” is produced by Universal Television and Holiday Road. Fallon (“Late Night with Jimmy Fallon”) serves as executive producer/creator along with executive producer/creator/writer Charlie Grandy (NBC’s “The Office”) and executive producer/creator Amy Ozols (“Late Night with Jimmy Fallon”) as well as executive producers Rick Wiener and Kenny Schwartz (“Two Guys, a Girl and a Pizza Place,” “American Dad”). Emmy-nominated director Scott Ellis (“Modern Family,” “30 Rock”) is the director.
“Save Me” — Welcome to the Midwestern suburbs, where exciting things never happen. Well, almost never. After a near-death experience (choking on a hero sandwich), Beth (Emmy nominee Anne Heche, “Hung”) is revived only to realize she now has a direct line to God. Of course, her husband Tom (Michael Landes, “Final Destination 2″) is skeptical and dismissive – and his mistress (Alexandra Breckenridge, “American Horror Story”) is stunned to learn that her lover’s wife is now a prophet! But when inexplicable things begin to happen, everyone’s beliefs are tested. Beth starts to say and do things that shock her family and entrance her friends, but she isn’t going to be your typical “fire and brimstone” prophet. Let’s just say, if God had a desperate housewife as His mouthpiece, Beth would be it! She is the absolute last person on Earth who would be chosen. Then again, they say He works in mysterious ways. And this one is a real mystery! Heather Burns (“Bored to Death”) and Madison Davenport (“Shameless”) also star. “Save Me” is produced by Sony Pictures Television and Original Film. Novelist John Scott Shepherd (“Henry’s List of Wrongs,” “The Days”) is executive producer/creator along with executive producer/director Scott Winant (“Breaking Bad,” “True Blood,” “Californication”) and executive producers Neal H. Moritz (“The Big C,” “Prison Break,” “Fast Five”), Vivian Cannon (“The Big C”) and Alexa Junge (“Friends,” “Sex and the City”).
“1600 Penn” — The Gilchrists are just the average American family dealing with all the everyday issues – like a grown kid who’s forced to move back home, children who are smarter than their teachers and a stepmom (Jenna Elfman, “Dharma and Greg”) desperately trying to win over the kids. They’re loving, fun and a little crazy. In other words, just like everybody else. With one exception: they live in a very special house. The White House! Whether it’s entertaining foreign dignitaries, sneaking away for a night out, dealing with middle school crushes or putting out fires – figuratively and sometimes literally – there’s never a dull moment in the Gilchrist White House. For example, the First Son (Josh Gad, star of Broadway sensation “The Book of Mormon”) is one of the administration’s biggest liabilities, but also the glue that holds this family together. The President (Bill Pullman, “Independence Day,” “While You Were Sleeping”) knows too well that the only thing harder than being Head of State is being head of the family. Also starring are Martha MacIsaac (“Superbad”), Andre Holland (“Friends with Benefits”), Amara Miller (“The Descendants”) and Benjamin Stockham (“Sons of Tucson”). “Modern Family” meets “The West Wing” in this election-year comedy from Emmy-winning executive producer/director Jason Winer (“Modern Family”). The executive producers are Winer, Gad and Jon Lovett (former White House speechwriter). Winer also directed the pilot. “1600 Penn” is produced by 20th Century Fox.
“Next Caller” — What happens when a foulmouthed satellite radio DJ – played by the multi-platinum selling artist and outrageously charming Dane Cook (“My Best Friend’s Girl”) – is forced to share the mic with a chipper NPR feminist? It’s anyone’s call in this sharp new comedy from producer Stephen Falk (“Weeds”) and Emmy-winning director Marc Buckland (“Grimm,” “My Name Is Earl”). It’s her first day in New York City, and 26-year-old Stella Hoobler (Collette Wolfe, “Young Adult”) is ready to take on the world. After a stint on public radio, she’s been hired to co-host the no-holds-barred show “Booty Calls with Cam Dunne.” Smart, spunky and passionate, Stella is determined to elevate the show beyond its boy’s-club-locker-room humor into a respected debate about men, women and the state of human relationships. But there’s a problem: Cam! She’s going to find out the hard way that he’s got no intention of sharing the spotlight, especially with someone like her. It’s going to be a tense fight, but with the station’s one rule being “make some noise,” Cam and Stella could be a winning combination – as long as they don’t knock each other out on their way to success. Jeffrey Tambor (“Arrested Development”), Joy Osmanski (“True Jackson, VP”) and Wolé Parks (“Premium Rush”) also star. The series is created and executive-produced by Stephen Falk (“Weeds”) and directed by Emmy Award-winning director Marc Buckland (“Grimm,” “My Name Is Earl”), who also serves as executive producer on the pilot. “Next Caller” is produced by Lionsgate Television and Universal Television.
NEW DRAMAS
“Revolution” — Our entire way of life depends on electricity. So what would happen if it just stopped working? Well, one day, like a switch turned off, the world is suddenly thrust back into the dark ages. Planes fall from the sky, hospitals shut down, and communication is impossible. And without any modern technology, who can tell us why? Now, 15 years later, life is back to what it once was long before the industrial revolution: families living in quiet cul-de-sacs, and when the sun goes down lanterns and candles are lit. Life is slower and sweeter. Or is it? On the fringes of small farming communities, danger lurks. And a young woman’s life is dramatically changed when a local militia arrives and kills her father, who mysteriously – and unbeknownst to her – had something to do with the blackout. This brutal encounter sets her and two unlikely companions off on a daring coming-of-age journey to find answers about the past in the hopes of reclaiming the future. From director Jon Favreau (“Iron Man,” “Iron Man 2″) and the fertile imaginations of J.J. Abrams (“Lost,” “Person of Interest”) and Eric Kripke (“Supernatural”), comes a surprising “what if” action-adventure series, where an unlikely hero will lead the world out of the dark. Literally. The series stars Billy Burke (“The Twilight Saga”), Tracy Spiridakos (“Being Human”), Anna Lise Phillips (“Terra Nova”), Zak Orth (“Romeo + Juliet”), Graham Rogers (“Memphis Beat”), J.D. Pardo (“A Cinderella Story”), Giancarlo Esposito (“Breaking Bad”), David Lyons (“The Cape”), Maria Howell (“The Blind Side”), Tim Guinee (“Iron Man”) and Andrea Roth (“Rescue Me”). Kripke, Abrams, Favreau and Bryan Burk (“Lost,” “Star Trek”) serve as executive producers. “Revolution” is produced by Bonanza Productions Inc. in association with Bad Robot Productions, Kripke Enterprises and Warner Bros. Television. The pilot was directed by Favreau.
“Chicago Fire” — No job is more stressful, dangerous or exhilarating than those of the Firefighters, Rescue Squad and Paramedics of Chicago Firehouse 51. These are America’s everyday heroes — the courageous men and women who forge headfirst into danger when everyone else is running the other way. But the enormous responsibilities of the job also take a personal toll. Big reputations and hefty egos, coupled with the pressure to perform and make split-second decisions, are bound to put squad members at odds. When a tragedy claims one of their own, there’s plenty of guilt and blame to go around. In the middle of a divorce, Lt. Matthew Casey (Jesse Spencer, “House M.D.”) tries to go about business as usual but can’t help butting heads with the brash Lt. Kelly Severide (Taylor Kinney, “The Vampire Diaries”) of the Rescue Squad – and each blames the other for their fallen team member. When it’s “go-time” though, they put aside their differences and put everything on the line for each other. “Chicago Fire” is a look inside one of America’s noblest professions. Also starring are Eamonn Walker (“The Messenger”), Charlie Barnett, (“Law & Order: SVU”), David Eigenberg (“Sex and the City”), Monica Raymund (“The Good Wife”), Lauren German (“Hawaii Five-O”), Teri Reeves (“Three Rivers”) and Merle Dandridge (“Sons of Anarchy”). “Chicago Fire” is produced by Universal Television and Wolf Films. Emmy Award-winning creator/ producer Dick Wolf (“Law & Order” brand), Derek Haas (“3:10 to Yuma”), Michael Brandt (“3:10 to Yuma”), Peter Jankowski (“Law & Order” brand) and Danielle Gelber serve as executive producers. Haas and Brandt wrote the pilot, which was directed by Jeffrey Nachmanoff (“Homeland”). From renowned Emmy-winning producer Dick Wolf and the writing team behind “3:10 to Yuma” comes an edge-of-your-seat view of a dirty job that often means the difference between life and death.
“Do No Harm” — Dr. Jason Cole (Steven Pasquale, “Rescue Me”) is a highly respected neurosurgeon who has it all – a lucrative career, confident charm, the gift of compassion. But he also has a deep, dark secret. One morning when he wakes up disoriented in a wrecked hotel room amidst several near-naked women he’s never seen before, he knows one thing: it’s happening again. Every night at the same hour, something inside Jason changes, leaving him almost unrecognizable – seductive, devious, borderline sociopathic. This new man is his dangerous alternate personality who goes by the name of ‘Ian Price.’ For years he’s battled Ian, keeping him in check with a powerful experimental sedative. But now his – their – body has developed a resistance to the serum, setting Ian free once again. And to make matters worse, after being suppressed for so long, Ian’s hell-bent on taking revenge on his oppressor. With everyone Jason cares about at risk – patients, friends, coworkers and even the woman he loves – he’s got to stop Ian once and for all. Will they find some common ground, or will they bring each other down? Hell hath no fury like an alter ego scorned. Also starring are Alana De La Garza (“Law & Order”), Mousa Kraish (“Superbad”), Michael Esper (“A Beautiful Mind”), Ruta Gedmintas (“The Borgias”) and Phylicia Rashad (“The Cosby Show”). “Do No Harm” is produced by Universal Television and Traugott Company. The executive producer/writer is David Schulner (“Desperate Housewives,” “The Event”). Peter Traugott (“Ringer”) and Rachel Kaplan (“Ringer”) also are executive producers. Michael Mayer (NBC’s “Smash”) is the co-executive producer and director.
“Infamous” — When wealthy socialite and notorious party girl Vivian Bowers is found dead of an overdose, no one is really surprised. The heiress to the Bowers pharmaceutical empire has been tabloid fodder for years: wild, pretty, privileged… and now dead at the age of 32. But for FBI agent Will Moreno (Laz Alonso, “Avatar”), things don’t add up with this suspicious dynasty. Convinced that the troubled girl’s death was a homicide, he has a clever plan to get to the truth. Her name is Detective Joanna Locasto (Meagan Good, “Think Like a Man”). Twenty years ago she was Vivian’s best friend and practically grew up inside the Bowers’ home. And when she appears at Vivian’s funeral, the family re-embraces her and no one is the wiser. Joanna quickly begins to uncover dark secrets and clues about why Vivian’s life was very much in danger. At the same time, she rekindles an old romantic relationship and rediscovers the allure of the luxurious lifestyle she once knew. She’s about to see once again just how the other half lives… and dies. Also starring are Victor Garber (“Alias”), Tate Donovan (“Damages”), Katherine La Nasa (“Alfie”), Neil Jackson (“Quantum of Solace”) and Ella Rae Peck (“Gossip Girl”). “Infamous” comes from executive producer/writer Liz Heldens (“Friday Night Lights”) and director Peter Horton (“Grey’s Anatomy,” “Dirty Sexy Money”). Gail Berman, Lloyd Braun and Gene Stein are also executive producers. The series is from Universal Television and BermanBraun.
“Hannibal” — One of the most fascinating literary characters comes to life on television for the first time: psychiatrist-turned-serial-killer, Dr. Hannibal Lecter. In this new drama from Bryan Fuller (“Pushing Daisies,” “Heroes”), based on the characters from Thomas Harris’ classic novels, we see where this incredible story began. Will Graham (Hugh Dancy, “The Big C”) is a gifted criminal profiler who is on the hunt for a serial killer with the FBI. Graham’s unique way of thinking gives him the astonishing ability to empathize with anyone – even psychopaths. He seems to know what makes them tick. But when the mind of the twisted killer he’s pursuing is too complicated for even Will to comprehend, he enlists the help of Dr. Lecter, one of the premier psychiatric minds in the country. Armed with the uncanny expertise of the brilliant doctor, Will and Hannibal (known as a serial killer only to the audience) form a brilliant partnership and it seems there’s no villain they can’t catch. If Will only knew… Fuller is writer and executive producer. Martha De Laurentis (“Red Dragon,” “Hannibal”), Sara Colleton (“Dexter”), Jesse Alexander (“Lost”, “Heroes”), and Katie O’Connell also serve as executive producers. David Slade is the director/executive producer for the series pilot. “Hannibal” is produced by Gaumont International Television.
NEW ALTERNATIVE SHOWS
“Stars Earn Stripes” – The TV cop who wants to prove he can handle a gun in real life. The athlete making the transition from field to battlefield. The performer who wants to show how well she can perform under a different kind of pressure. In this fierce, entertaining and emotionally charged new competition honoring America’s armed forces, nine celebrities will gather at a secret training facility where they will be challenged to execute complicated missions inspired by real military exercises. From helicopter drops into treacherous locations to long range weapons fire, these stars will be tested physically, mentally and emotionally – and emerge in awe of the men and women who do such tasks on behalf of our country every day. From executive producers Dick Wolf (“Law & Order,” “Law & Order: SVU”), Mark Burnett (“The Voice,” “Survivor”) and David A. Hurwitz (“Fear Factor”), this extraordinary show will donate money raised through the competition to veterans’ charities. Committed to hiring recent vets onto the crew, “Stars Earn Stripes” hopes to inspire other employers throughout the country to make similar commitments to our returning heroes, not to mention proving how impossible their service missions really are. The series is a production of Universal Television, One Three Television, LLC, Wolf Reality, LLC and Bill’s Market & Television Productions.
“Howie Mandel’s White Elephant” — From Howie Mandel (“America’s Got Talent”) comes an exciting new game show based on one of the most wildly popular holiday party games in America. A contestant selects a box from a studio full of unmarked packages containing millions of dollars in prizes, showing what’s inside to the others. Then, the next player is faced with a potentially life-changing dilemma: do they steal a prize that has already been revealed, or do they take a chance with another unopened box, hoping what’s inside is worth more? But that’s just the beginning. When there are only two contestants left, Howie will reveal what’s inside the boxes and give the players a choice: share… or steal. If both players choose to share, they will each keep the prizes they have won in the prior rounds. If one player shares and the other steals, the player that chose to steal will go home with all the prizes. But if both choose to steal, they both go home with nothing! The stakes are insanely high as each contestant grapples with the choice of a lifetime… and the white elephant in the room. “Howie Mandel’s White Elephant” is from Universal Television and Alevy Productions. Mandel and Mike Marks are the executive producers.
“Ready for Love” — What does it take to find your soul mate? Well, producer Eva Longoria (“Desperate Housewives”) is inviting every eligible woman in America to participate in an innovative and dramatic new dating competition to find out how easy it can be. She has hand-selected three impossibly handsome grooms and enlisted the three best Matchmakers in the world to find them life partners. Let the dating begin! The show kicks off with mass auditions screened by the Matchmakers, and then launches into a romantic journey that will combine the best elements of in-studio competition and story-based reality. Each week, the contestants will be whittled down until the dramatic finale, when the three “grooms” and final three “brides” decide if they’ll get engaged, married or simply live happily ever after… because they’re all Ready for Love! Bill Rancic (“Giuliana and Bill”) and Giuliana DePandi-Rancic (“Giuliana and Bill,” “Fashion Police”) are the hosts. “Ready for Love” is produced by Renegade 83, UnbeliEVAble Entertainment and Universal Television. Longoria, Jason Ehrlich (“The Bachelor,” “The Bachelorette”), Greg Goldman (“Secret Millionaire,” “Don’t Forget the Lyrics!”), David Garfinkle (“Blind Date,” “The 5th Wheel”) and Jay Renfroe (“Blind Date,” “The 5th Wheel”) serve as executive producers.
“Surprise With Jenny McCarthy” – Actress, comedienne and best-selling author Jenny McCarthy hosts “Surprise With Jenny McCarthy,” a unique variety show that will treat the audience to a funny, irreverent and heart-warming television experience that centers around giving people surprises of a lifetime. “Surprise With Jenny McCarthy” will spotlight multiple surprises within the one-hour episode — from dramatic reunions to surprise announcements to good-natured pranks with fantastic feel-good twists. And, whether the surprise is an emotional roller coaster, a heartfelt thank-you, a hero’s reward or a slightly devilish prank with a happy ending, viewers get a chance to know the true stories of the people involved, which makes the payoffs all the more meaningful. As ringleader, cheerleader, head instigator and mistress of ceremonies, McCarthy helps pull off all kinds of incredible surprises on people from all walks of life. Funny, touching, engaging, exciting and always unpredictable, “Surprise With Jenny McCarthy” will keep viewers laughing, crying and on the edge of their seats. Arthur Smith (“Hell’s Kitchen,” “Kitchen Nightmares”) and Paul Buccieri are executive producers of the presentation from A. Smith & Co. and ITV Studios.
Upfront TV: Goodbye, Horatio Kane | Welcome Back, “Men” | “Parks” Renewed | Dish Boosts iPad App
- One of them was doomed, and CBS has made it official: “CSI: Miami” has been canceled, and “CSI: NY” renewed. As TVByTheNumbers described, “We figured CBS would part with at least one [the two]” given the need for room in its schedule for new content, and the high price of the franchises. “Miami” was the more expensive of the two. The network released a downtrodden statement citing the show’s “amazing television legacy – a signature look and style, global popularity and as a key player in CBS’s rise to the top over the past decade.”
- Also on CBS—more “Two and a Half Men.” That ends broad speculation that the show could not survive Charlie Sheen’s flaming exit, or that Ashton Kutcher could fill his shoes. The show this season has relied upon a more teen-cute Angus T. Jones and over-the-top John Cryer more than it has on Kutcher as the newcomer. As TVByTheNumbers details, “Two and a Half Men” is averaging 15.0 million viewers, up +13% from last season, 5.2/13 in adults 18-49, up +27% and 6.5/14 in adults 25-54, up +20%. Among all primetime comedies, “Two and a Half Men” ranks second in viewers and adults 25-54 and third among adults 18-49.
- More cheerful news over at NBC. The network has announced that "Parks and Recreation" has been renewed for a full 22-episode fifth season. The fourth season wrapped up with star Amy Poehler’s Leslie Knope (parks and recreation commissioner) winning a hotly-contested city council seat. As Indie Wire reports, Poehler’s husband Will Arnett got some happy news as well: His freshman NBC sitcom "Up All Night," co-starring Christina Applegate, has also been renewed.
- Dish Network has released a revamped iPad app for "TV Everywhere" access that improves video performance, reports Multichannel News. The app is designed to meet the demands of the new iPad's higher-resolution screen, and itenhances the on-screen guide and allows access to the Dish’s Blockbuster on-demand titles. Dish Network is pushing a free 24-hour trial account to let cable TV and DirecTV subscribers use the Dish "TV Everywhere" features with 15 live channels on PCs, smartphones or tablets, provided using a farm of Slingbox-enabled DVRs.
- The Hollywood Reporter has released a “Complete Network Scorecard” (no details) of 2012-2013 broadcast season for the Big Four Networks, plus The CW, including both renewed and canceled shows, plus new shows. Did anyone have any hope for “Napoleon Dynamite” on FOX? No. But it will be intriguing to see the adventures of the young Hannibal Lecter in NBC’s midseason replacement “Hannibal,” and likely annoying to see the young Carrie Bradshaw (lead character from “Sex in the City”) in The CW’s “The Carrie Diaries.”